Workshops


This page will assist you with a list of potential class offerings for Workshop 2 (VART 3689) and Workshop 4 (VART 3691) under Bachelor of Arts (Fine Art) Hong Kong program in Semester 2. 

(Note: There is a separate page for Fine Art Studio classes.) 

You will only take one Workshop class in semester 2, but you need to list three (3) preferences. These Workshops will be for both first and second year students and will be offered under the following course codes: 

Year 1:  Workshop 2 (VART 3689)
Year 2:  Workshop 4 (VART 3691) 

These Workshop classes are 12 credit point courses and will require 3 contact hours per week plus associated learner directed hours. 

The preferencing process will be communicated to you by Hong Kong Art School in due course. 

For more information about a course, and/or to seek academic advice from your specialisation coordinator prior to deciding, please contact Hong Kong Art School. 

IMPORTANT - PLEASE NOTE: You must not repeat any class in your preference lists. Every effort will be made to place you in your first preference classes. Selected classes would be offering in each year, please refer to class information provided by Hong Kong Art School for details. Although we would like to offer all of the options below, classes are subject to viability and may not run if numbers are too low.  

Course Information


  • Teacher/s
  • Time
  • Day
  • Location
Offering Studio

  • Ceramics
  • Painting
  • Photography
  • Sculpture

Simon Wan, ZHOU Huihui, 2006

Artificial Lighting


  • Simon Wan
  • 7:00pm – 10:00pm
  • Thursday: 11/8/2022 – 3/11/2022
  • Hong Kong Art School
In this course you will learn the technical knowledge and gain experience using artificial lightning in the production of photographs. You will learn about hand-held flash photography, studio lighting and key light and fill-in in the production process of developing your photographic practice. This workshop introduces you to relevant strategies for engaging with studio as a way of thinking and making. The course is structured around projects that facilitate the development of ways of working that are expansive and adaptable to your studio specialisation. You will critically reflect upon strategies of studio practice and constructions of meaning to help inform your own developing art practice.

Tse Yim On, Andy Warhol (feat. Roy Lichtenstein), 2021

Colour


  • Tse Yim On
  • 7:00pm – 10:00pm
  • Tuesday: 9/8/2022 – 1/11/2022
  • Hong Kong Art School

Colour is an important deliberation when making art. In this course you will focus on colour in various objective and subjective guises - considering it; as idea, as culture, as material, as expressive, as social, as political, as metaphor, as aesthetic, as intuitive, as emotion, as personal, as signifier, as technical. The course is studio based and is designed and delivered in ways, which focuses on your individual responses to colour and at the same time exposing you to a range of technical approaches with colour in painting practice. This includes; the principles of colour, colour and grisaille, tonality, limited palettes, and colour mixing. At all times experimentation is encouraged as a way to extend and develop a body of artworks in any form and material relevant to your individual interests.

The course will be delivered through flexible set projects, lectures, demonstrations, and individual studio and group tutorials.


Glaze Testing and Wheel Throwing
(Photo credit: Karen Wong)

Containment and Surface – Wheel Throwing and Glaze Theory


  • Karen Wong & Siu Kam Han
  • 7:00pm – 10:00pm
  • Tuesday: 9/8/2022 – 1/11/2022
  • Hong Kong Art School
In this ceramic course, you will be exploring the symbiotic relationship of wheel-thrown forms and glaze technology. Through a series of projects, you will use wheel forming techniques to develop a range of shapes that express a familial connection. Glaze research will further this personal approach with an investigation of materials that influence surface and additives that inspire glaze character. The course will promote an individual vision manifest as a group of new ceramic forms.

Jimmy Keung, Son of Freedom, 2002

Contemporary Figuration


  • Jimmy Keung
  • 7:00pm – 10:00pm
  • Thursday: 11/8/2022 – 3/11/2022
  • Hong Kong Art School
In this studio-based workshop you will investigate a diverse range of conceptual and technical aspects of figuration. Through a series of projects, you will experience the human image and the broader framework of the real, the landscape, the natural world and the body. Using strategies such as observation, models, reproductions and film as source material you will develop an individual approach to contemporary figuration. You will investigate ideas of narrative, distortion, movement, emptiness, and trace as form and content, in a way that explores the unique place of figuration in contemporary art. This workshop will enable you to explore the relationship between painting, drawing, photography, social media and film. Research and experimentation are a core strategy of the workshop leading to a group of individual, resolved artworks. Visual lectures, individual and group tutorials, and demonstrations complement this workshop.

Work-in-progress

(Photo credit: Joe Chan)

Form and Space – Ceramic Hand-building


  • Joe Chan
  • 7:00pm – 10:00pm
  • Thursday: 11/8/2022 – 3/11/2022
  • Hong Kong Art School

This course will focus on developing your ceramic hand building skills, techniques and processes while exploring the form and space of an object. It will also expose you to a range of surface treatments of the ceramic form. The course is based around a series of structured projects that engage ideas around creativity and the nature of a ceramic art practice. You will create a range of art works and related support material to establish the means to analyse modes of practice and models of aesthetics and meaning in ceramics. You will develop knowledge and skills in analysing, responding and discussing your own artwork and the artwork of others. This course will initiate your Fine Art Studio Practice through the development of methods that relate to your studio specialisation in Ceramics.

[Recommend to Year 1 Ceramics students]

Matthew Tsang, Waterdrop, 2011 (stainless steel)

Traditional material in contemporary: Metal


  • Matthew Tsang
  • 7:00pm – 10:00pm
  • Thursday: 11/8/2022 – 3/11/2022
  • Hong Kong Art School
Historically, metal has been a traditional material in sculptural practice and continues to maintain currency in contemporary practice. In this course you will develop a range of practical skills across a range of processes which are commonly used in sculpture practice. You will be introduced to particular methods and materials through specific projects, with an emphasis on the relation to your own individual concepts in art making. You will be given practical instruction and experience in the use of workshop equipment together with relevant health and safety training in the production of artworks using metal as a vibrant material in art making. The course will cover areas including; the use of hand tools in metal work, electric and spot-welding techniques, and soldering techniques with metals.

Jaffa Lam, A Piece of Good Water, 2017 (Recycled wood, sound system)

Traditional material in contemporary: Wood


  • Jaffa Lam
  • 6:30pm – 9:30pm
  • Tuesday: 9/8/2022 – 1/11/2022
  • Hong Kong Art School
Various woods have been a traditional material in sculptural practice and continues to maintain currency in contemporary practice. In this course you will develop a range of practical skills across a range of processes which are commonly used in sculpture practice. You will be introduced to particular methods and materials through specific projects, with an emphasis on the relation to your own individual concepts in art making. You will be given practical instruction and experience in the use of workshop equipment together with relevant health and safety training in the production of wood as a vibrant material in art making. The course will cover areas including; hand tools used in wood application, round carving, polishing and wood finishes of final resolved artworks.