You are invited ✿ now to explore the stories in our new Ancient Now issue. They include new craft revivals that are little known beyond the Great Wall. And many foreigners who are attracted to the new creative e […]

The Harbour issue tells of how a city is made through the skills and stories that people bring to it. It’s a chance to think of the city as a “crafted” entity, as its residents carve out a meaningful space for […]

Garland #13 features stories inspired by the Japanese respect for objects as beings. We look to Kyoto, whose artisans offer not only poignant items but also memorable experiences. Beyond Kyoto, we discover how […]

The RMIT School of Art has had many rich exchanges with Mexico over the years.

The Garland journey now ventures across the Pacific to the region of Oaxaca, legendary for its crafts, festivals and cuisine. […]

Garland begins the second half of its journey by heading South (in a good sense). We venture to lutruwita Tasmania where we find an alternative picture to the gothic intensity of Dark MOFO. tunapri is the palawa […]

Garland #10 focuses on Western Australia and the Indian Ocean as a region of cultural dialogue. It takes the word “Kaya” from the Noongar expression of greeting, both “Hello” and “Yes”. The keynote essay by Glenn […]

Welcome to Moana (Pacific) today. The Garland marks the second year of its journey across the Indo-Pacific with Te Moana nui a Kiwa, developed in Aotearoa New Zealand. Stories tell of magnificent Māori objects f […]